Jeanne Dodds, Author at Endangered Species Coalition https://www.endangered.org/author/jdodds/ Fri, 22 Aug 2025 13:58:30 +0000 en-US hourly 1 https://wordpress.org/?v=6.8.2 https://www.endangered.org/assets/uploads/2020/05/cropped-RS119_ESC-LOGO-FINAL-1-32x32.png Jeanne Dodds, Author at Endangered Species Coalition https://www.endangered.org/author/jdodds/ 32 32 Collaborating for Biodiversity Gallery Launches https://www.endangered.org/collaborating-for-biodiversity-gallery-launches/ Wed, 14 May 2025 22:56:11 +0000 https://www.endangered.org/?p=35292 Collaborating for Biodiversity Youth Art Gallery Launches for 20th Endangered Species Day  View incredible, collaborative works of art by youth artists grades K-12 at our newly launched online gallery, Collaborating for Biodiversity These multi-media artworks depict imperiled United States species…

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 View incredible, collaborative works of art by youth artists grades K-12 at our newly launched online gallery, Collaborating for Biodiversity

These multi-media artworks depict imperiled United States species protected by the Endangered Species Act. To learn more about each species and the motivation behind the artworks, expand the tabs below the images and read youth artist statements and more. 

We’ve created this gallery to honor the 20th Anniversary of Endangered Species Day and call of strong protections for wildlife and plants under the Endangered Species Act. Join ESC in advocating to keep strong protections for our irreplaceable United States species.

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Postcards to Policymakers Launch https://www.endangered.org/postcards-to-policymakers-launch/ Tue, 13 May 2025 17:59:19 +0000 https://www.endangered.org/?p=35220 Postcards to Policymakers Postcards to Policymakers is a new project launching the week of the 20th Anniversary of  Endangered Species Day, May 16th, 2025. This project is designed for you, to help you advocate for wildlife and plants. This project is…

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Postcards to Policymakers is a new project launching the week of the 20th Anniversary of  Endangered Species Day, May 16th, 2025.

This project is designed for you, to help you advocate for wildlife and plants. This project is created for your community, to help you come together for fun postcard writing events. 

We’ve assembled a set of free, downloadable postcards created by artist-activists, and useful toolkits where you can learn more about imperiled wildlife and plants. Postcards to Policymakers species range from monarch butterflies to grizzly bears with more postcards coming later this year.

Join the movement calling for continued strong Endangered Species Act protections with Postcards to Policymakers!

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Creative Engagement – Announcing Collaborating for Biodiversity https://www.endangered.org/creative-engagement-announcing-collaborating-for-biodiversity/ Fri, 01 Nov 2024 16:37:00 +0000 https://www.endangered.org/?p=34824 It’s never been more important for people and communities to collaborate to ensure that our shared future is biodiverse. That’s why ESC has developed a new creative opportunity for youth grades K-12: Collaborating for Biodiversity. Building on the success of…

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It’s never been more important for people and communities to collaborate to ensure that our shared future is biodiverse. That’s why ESC has developed a new creative opportunity for youth grades K-12: Collaborating for Biodiversity. Building on the success of our 2023 Collaborating for Wildlife and Plants call to youth artists in honor of the 50th Anniversary of the Endangered Species Act, we are expanding with a new collaborative call to youth artists during the current academic year.

Later this year and in early 2025, we will be sending out updates about how educators and students can join the Collaborating for Biodiversity project, including opportunities for youth artists grades K-12 to collaboratively create works of art in a range of media. The platform for artwork submissions will open in January and close in April 2025. Collaborating for Biodiversity will center species listed, proposed for listing, or recovered from the Endangered Species Act. We will emphasize the creation of artworks increasing awareness of the importance of biodiversity.

What is Biodiversity? The word biodiversity combines:

Bio: ‘way of life’ or ‘life giving’

with

Diversity: Variation in plant and animal life, especially as represented by the number of species *

          *definitions from the Oxford English Dictionary

Biodiversity provides a broad array of benefits from supporting human physical and mental health and protecting food security, to mitigating climate change and ensuring that a range of habitats for recreation and appreciation of the natural world are protected and respected. You are invited to share the word about this upcoming youth art opportunity. We’re excited for educators students to participate in Collaborating for Biodiversity during the 2024-2025 school year!

ESC is also currently running a related biodiversity-themed Bonfire campaign: The Future is Biodiverse. To learn more about the threatened and endangered wildlife and plants shown in this design, and to support the project, please visit The Future is Biodiverse campaign at https://www.bonfire.com/the-future-is-biodiverse/

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Pollinator Protectors Case Studies https://www.endangered.org/pollinator-protectors-case-studies/ Fri, 01 Nov 2024 16:23:25 +0000 https://www.endangered.org/?p=34821 We’re enthusiastic about sharing 2024 Pollinator Protectors campaign success stories with you. What does Pollinator Protectors do, and who benefits from this program? Through Pollinator Protectors, ESC creates native habitat for pollinators and provides outreach and education experiences for communities.…

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We’re enthusiastic about sharing 2024 Pollinator Protectors campaign success stories with you. What does Pollinator Protectors do, and who benefits from this program? Through Pollinator Protectors, ESC creates native habitat for pollinators and provides outreach and education experiences for communities. Pollinator Protectors allocates small grants for native plant material and related supplies, enabling our partners to create habitat and provide educational events. These projects benefit imperiled native pollinating species, native plants, and communities.

Since the origin of Pollinator Protectors in 2016 with milkweed plantings in just four states, the campaign has grown to include plantings in 26 US states and several projects in Mexico. In 2024, we’re spotlighting our work in Arizona, California, Pennsylvania and Ohio, in a new infographic.

Let’s dive into more detail in Arizona, where we’ve emphasized imperiled Monarch butterfly and pollinating bat species.  To support migratory pollinators, ESC is focussing on a community just 11 miles from the US-Mexico border: Arivaca, Arizona. To date, we’ve funded 12 native plantings for pollinators in Arivaca, creating a native plant corridor in partnership with the Arivaca Pollinator Pathway Project. In cooperation with our member organizations including Bat Conservation International, Lobos of the SW, and others, ESC funded the creation of two murals in Arivaca, by Tohono O’odham artist Paul ‘Nox’ Pablo. These murals are in a high visibility location beside an agave planting for nectivorous bats and other daytime and nighttime pollinating species. The mural is at the community dance hall, where conservation programming and presentations take place, including a 2024 talk by ESC’s Creative Engagement Director, Jeanne Dodds, about native Arizona pollinators and plant conservation.

In the last few months of 2024, we’re completing projects in Washington, DC, Idaho, and Washington State. These include neighborhood plantings for pollinator corridors with our partner DC Natives, a high-visibility rest area planting with educational signage, near the Snake River on the Idaho border, and native pollinator plantings at a youth garden and an urban Seattle farm.

To support these impactful community-led projects creating habitat for native pollinators and plants, please visit our Pollinator Protectors donation page. Your support makes our projects possible- thank you!

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An Interview with Dianne Kadonaga https://www.endangered.org/an-interview-with-dianne-kadonaga/ Mon, 23 Sep 2024 18:14:37 +0000 https://www.endangered.org/?p=34677 In what is now the state of Ohio, diverse native ecosystems once flourished, including prairies, Appalachian mountain species and plants associated with Canadian boreal forests and bogs. With increasing population and development, these diverse native plant species have experienced dramatic…

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In what is now the state of Ohio, diverse native ecosystems once flourished, including prairies, Appalachian mountain species and plants associated with Canadian boreal forests and bogs. With increasing population and development, these diverse native plant species have experienced dramatic decline, mirroring similar native plant declines across the US and internationally. Today, over ⅓ of Ohio’s 1,800 native plant species are imperiled.

Native plants are a vital part of healthy ecosystems, and growing plants to increase the native plant supply is one way of reversing native plant losses. In the Linden neighborhood of Columbus, Ohio, one community member has created inspiring projects that are helping bring awareness of native plants to the city, and increase the number of native plants in urban spaces. 

Dianne Kadonaga started Sunny Glen Garden, an organization to turn urban lawns into edible forest gardens and wildlife habitat using Indigenous practices of permaculture or regenerative agriculture. Forest food projects reduce health issues and utility costs created by the city’s heat island effect and provide some food security while increasing diversity and resilience to climate change. The Sunny Glen Garden has a native plant nursery to support community projects and programs have expanded abundantly, with new workshops, exhibits, presentations, native plantings, community festivals, and more to form the Connecting Community Corridor for People Pollinators and the Planet, or CCC for PPP,  in Linden.

One event created by Sunny Glen Garden is the Art Mural for Linden and Pollinator Party, which spotlights the 2023 Endangered Species Act at 50 mural, created by artist Kenia Lamarr. This mural features native Ohio plants and the rusty patched bumblebee, a native bee species listed as Endangered under the Endangered Species Act. 

To better understand the connections between native bees, native plants, and local community, Jeanne Dodds, Endangered Species Coalition Creative Engagement Director, talks with Dianne Kadonaga about her journey growing native plants and creating urban wildlife habitat.

Jeanne Dodds: Can you share a bit about how you started growing native plants, and what motivated you to start Sunny Glen Garden?

Dianne Kadonaga: I never had intentions of doing so initially, nor did I know how, but it all started when I was addressing some of my own health issues – diabetic indicators, high cholesterol and blood pressure, precancerous polyps. I was eating more fresh, organic food, but it was expensive and often beyond my budget. It seemed like it would be cheaper to grow and eliminate the unrecyclable plastic packaging it came in too if I grew it instead. With the huge 175 year old pin oak in the backyard and silver maple shading the front, there was not enough sunlight to grow an annual vegetable garden, so added in bare root perennial edible plants that would create a forest edge from the pin oak as the highest canopy,  chestnut, hazelnuts, elderberry and apple as the subcanopy, red and black raspberry, gooseberries and currants as the shrub layers, down to strawberries as ground cover, as well as perennial asparagus, sea kale, and artichoke and herbs. With increasing rain, I added in subtropical annual plants like ginger, turmeric, for my health, and taro and sweet potato fit well into the dappled  shade of the forest garden. Not having a lot of money to spend, my methods had to be little or no cost and with minimal input as I put in swales to reduce the flooding in my yard and direct it along the garden beds. Leaves from my trees and kitchen compost provided free fertilizer and ground cover, all reducing the need to water the garden all year round. Rain off the tool shed kept the shiitake and blue oyster mushrooms growing. I didn’t realize until many years later, that I was using permaculture / regenerative agricultural methods.

When I saw the difficulties of some folks in our community with health issues and not being able to afford healthy, fresh, food, I decided to throw in a few extra vegetable seeds that I would start for my own garden. I grew 4,000 of them in my basement for a plant sale FUNdraiser in the spring and the proceeds paid for the trays, pots, soil, and organic seeds. The remaining 2,000 vegetable plants I donated to seven local community gardens in an effort to make the plants or the vegetables from them available to those in our community who might otherwise not be able to afford it. This became an annual event and as I learned more about the plight of our pollinators and birds, and that some native plants were good at eliminating the toxins that would drain from my neighbors lawn care into my yard, I tried my hand at growing native plants from seed. Gale Martin from Natives in Harmony has been my mentor and has been so generous of her time and her knowledge is invaluable as many native plants have their own special needs to propagate.

I don’t think I realized the importance of having my edible forest garden until the pandemic hit, as many people in our community lost their jobs like me, but at least I had food from my garden – I only had to go grocery shopping 4 times that first year as most of the food came from what I was growing in my yard, but it was much harder for some of my neighbors. 

With the native plantings in the Sunny Glen Garden, leaving leaves from our trees to cover the ground, it is kept cool in the summer and keeps moisture in the ground, so I don’t have to water my garden, nor do I have to buy fertilizer as the leaves break down to provide this. I leave old stems up for cavity nesting bees and other insects, line the native plant gardens with logs which provides habitat, so we are teaming with a diversity of fascinating insects now. Lightning bugs create a spectacular show at night in summer. 

I use no pesticides or other chemicals in my yard and I’ve seen 5 different species of bumblebees (out of 11 in Ohio) which indicates a healthy ecosystem, and a very rare Assassin Robber Fly was found here – at the time there were only 11 sightings in all of North America! I have plenty of caterpillars and insects for families of birds that make their home here and they now play a huge role in my integrated pest management, so I’ve had very few pests in my garden. A red-tailed hawk keeps my squirrel population down, and this is in the city so we know what’s possible! There are so many people who know so much more, but I just shared from my own research and experience, and that is how Sunny Glen Garden got started.

JD: Can you please share your thoughts about why it is important for people to grow and create connected habitat for native plant species?

DK: Creating connected native plant habitat in our neighborhood is important for creating opportunities, not just for pollinators and wildlife, but for people to connect too. Gatherings at workshops or plantings  can facilitate sharing of personal stories and understanding, while gaining skills for increased  self-sufficiency. Participants can share this knowledge with their friends, family, and neighbors, to grow and connect our community. This can make a difference in helping reduce the crime rates here as we look out for each other. We have a very diverse community of African-Americans, Hispanic, and Immigrant populations so with the different languages and cultures, it can be challenging at times. Bringing people together to turn lawns into gardens can be an enriching experience when all are included.

We have some folks in our neighborhood who are struggling to put food on the table or pay their rent, or don’t own properties (rent), may not have the time to garden, or don’t have familiar foods from their home countries. Native plants, once established, require very little care – less resources like watering and have adapted to our location so they are well-suited. Many native plants can provide food for pollinators and birds, but for people too, or have medicinal benefits. Everyone and everything benefits from native plantings which can also beautify our neighborhood.

JD: Dianne, you have a lot of knowledge of native bee species. Can you please tell us about a native bee that people may not know about, and explain a bit about why native bees are so important to ecosystems?

DK:  Many people may recognize the very large carpenter bee with the ‘shiny-hiney,’ or bumblebees which are fuzzy and large, but they may not realize that we have native bees that are very tiny too, like our sweat bees that are only .01 – .04 inches long and fly so quickly they are hard to see! We have cuckoos, tigers, fuzzy-bellied, metallic green native bees and more – over 450 species in Ohio! Many people may be surprised to know that the more familiar honeybees are actually not native to North America and that almost all of our native bees do not produce honey, but are 90% more effective at pollination than the honeybees. Only female bees have the ability to sting but rarely do unless their homes or lives are directly threatened, so being stung by a native bee is highly unlikely. I love it when the sweat bees land on me as they tickle and likely take up minerals from my sweat. Most of our native bees are solitary, (do not live in hives), and seventy percent live in the ground, which is why we like to have open ground or leaf cover (not heavily mulched). Thirty percent live in tiny cavities, like empty beetle holes in wood, or the stems of native plants which is why we leave our stems up over the winter. The next generation of native bees transition from egg, to larvae, pupa, and come out the next spring or summer as adults, with life spans only 4 – 6 weeks or shorter. About 25% of our native bees are specialists which means they can only feed their young the pollen from one type or group of plants. The timing of the flowering of plants and when the corresponding native bee comes out has been coordinated for hundreds of years and is crucial for the survival of one or both. Climate change is threatening these delicately balanced relationships. Without these native plants, the native bees are not only without pollen and nectar sources, but maybe without homes to raise their young in. Native bees are essential food sources for many other insects, wasps and hornets, spiders, amphibians, reptiles, birds, and other mammals – an essential link in the chain of biodiversity so are an integral part of a healthy ecosystem. 

JD:  Your projects with Sunny Glen Garden center the local Linden (neighborhood in Columbus, Ohio) community. Can you share some context about Linden, and why you have prioritized the importance of working locally?

DK: In my experience, many people in our neighborhood were not accessing our community gardens. Twenty percent do not own cars, or work two jobs, or are single parent families with children, making it challenging to get to the gardens or other opportunities as the bus system is inadequate or takes too long. So we kept the CCC for PPP hyperlocal and walkable – within a one to two mile radius – to make it easier to share garden equipment, seeds, plants, and produce. We bring our hands-on educational programs, equipment, and materials to their locations, and they in turn, share and teach their neighbors, or help out at a new location as we create more garden beds or tree plantings. Our events create opportunities to get to know each better, so we can check in with each other as we build a safer and caring community. We also found that being out and about in the neighborhood, we were able to include people who don’t have access to the internet, computers, or communicate online, or who culturally prefer one-on-one communication methods. We are also working with various local church organizations as many of our international communities gather there. Personally, I love the convenience of walking or cycling to all the CCC for PPP gardens so I don’t have to use a car, which saves money, and I don’t have to contribute to polluting the environment. Having a local project can facilitate a more eco-friendly and inclusive program.

There are currently 45 individuals, families, churches, preschools, and businesses that have been donated native plant or vegetable gardens in the Linden area, maintained by master gardener volunteers, although many more participate locally and worldwide through social media on their own properties or container gardens on porches and balconies. We are grateful for the many partnerships we have locally, and our collaboration with the Endangered Species Coalition, as their support with funding through their Pollinator Protectors campaign has made much of this possible. 

JD: What are your hopes and visions for how Columbus, Ohio, and specifically the Linden neighborhood, will create more native habitat for pollinators and plants?

DK: Wouldn’t it be amazing to have an entire neighborhood of people who are healthy and happy, creating and working together as we convert more lawns to edible native forest gardens and wildlife that are all connected? The CCC for PPP projects fit in with the city’s urban tree plan to reduce the city’s heat island effect, while lowering utility costs of air conditioning. Trees reduce pollution and prevent flooding. Native plants improve the health and beautification of the neighborhood, and can be done to increase access to food and biodiversity that is more resilient to climate change. It is happening in a larger way in  Columbus as organizations with similar projects and goals around the city are now meeting regularly to share best practices and resources, and coordinate events as we connect our pollinator pathways with native plantings. It’s a very exciting time to be a part of this!

JD: You worked very closely with artist Kenia Lamarr to support the creation of the Endangered Species Act at 50 Mural, featuring the rusty patched bumblebee, in the Linden neighborhood. What do you see as the benefit of a mural featuring native plants and this endangered native bee, within this community?

DK: Kenia is wonderful to work with as she is a beautiful and considerate person and it was important for us to have an artist who lives and works in our community. It was wonderful the way she included some of our youth in the painting of the project. So often, organizations/donors come with wonderful intentions, but they have their own missions and goals that do not match the needs and wishes of our community so there’s no acceptance – here we have not had that problem. The art mural is colorful and has been commented on how it brings something beautiful to our community. 

Kenia’s amazing artwork also provides wonderful educational opportunities – the multicolored hand represents the diversity of people in our neighborhood, the green thumb for gardening, the hand holding the native plant flowers to show it is up to us to support the endangered rusty-patched bumblebee and how we can do this by planting more native plants, and the honeypots are arranged like a map, indicating the range of where it used to exist in North America. We’ve been able to bring groups that traditionally have not come to our neighborhood – OSU Extension Master Gardener Volunteers, Franklin Soil and Water Conservation District, Pollinator Specialization Advocates, and Native Plant people, as they get to know us and hear how their programs can be more inclusive for us too.

When I approached our area commissioners about the art mural project, it seemed inappropriate to bring up how we can help support the Rusty-Patched Bumblebee and prevent it from extinction, especially after the police and fire department just reported on the 200 fentanyl overdoses and changing the stop signs at certain intersections so they can get through them quicker. But the CCC for PPP projects have been one of the few positive things happening in our community, so we had their support.

With our native plant garden at the bus stop, we noticed people are now putting their garbage in the garbage can and not throwing litter on the ground there anymore. Other businesses have commented on how colorful the garden is and asked how they might be able to have one too, so we are expanding our connecting corridor right here in Linden! 

We like to work with young children at the preschools or children’s church groups as they have so much fun at the experiential workshops learning how to turn lawns into gardens with the lasagne mulching, and seeing what comes. They’ve become less afraid and more fascinated by nature and the creatures that come to the garden they’ve created, named, and helped care for, and they get their parents interested and learning about it too! 😀

JD: Is there anything else you’d like to share about native plants and pollinators, Sunny Glen Gardens, or the ESA at 50 National Mural Project featured in the Art Mural for Linden and Pollinator Party event

DK: In many ways, I think our partnerships and networking with each other on this art mural, the pollinator party, and native plant gardens, have shown us how, even with all of our differences, we can all come together in fun ways to create something that impacts much more than ourselves.

 

ESA at 50 National Mural Project

In celebration of the 50th anniversary of the Endangered Species Act, Endangered Species Coalition Member Organizations and community partners collaborated to create a series of murals throughout the US. The murals spotlight regional ecological and cultural diversity within the US and internationally, highlighting plants and animals protected by the Endangered Species Act. Species currently listed and in danger of extinction are featured, along with species recovered thanks to this landmark legislation.

 

Many of our ESA at 50 National Mural Project sites were created with leadership by ESC Pollinator Protectors planting partners. These projects increase the visibility of local native plants and pollinators , and engage local artists and communities to recognize the 2023 50th Anniversary of the Endangered Species Act. Many thanks to Artist Kenia Lamarr, Sunny Glen Garden/Dianne Kadonaga and Center for Biological Diversity/Roger Peet for supporting the planning and implementation of the Linden mural, and huge thanks to ESC Member Organizations, for contributing project funding. 

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Interview with sculptor, Rebecca Schultz https://www.endangered.org/interview-with-sculptor-rebecca-schultz/ Tue, 20 Aug 2024 17:23:17 +0000 https://www.endangered.org/?p=34574 Against the backdrop of biodiversity loss and climate change, today, more than ever, it’s vital that people have opportunities to experience and develop relationships with local ecosystems and species. A World in our Streams is a site-specific sculptural project by…

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Against the backdrop of biodiversity loss and climate change, today, more than ever, it’s vital that people have opportunities to experience and develop relationships with local ecosystems and species. A World in our Streams is a site-specific sculptural project by artist Rebecca Schultz, designed to make important connections between people and place, relationships which are especially needed by many people at this moment. 

Rebecca Schultz’ sculptures are inspired by the forms and materials utilized by Indigenous peoples to build traditional fish traps, along with Hester-Dandy substrate samplers, a tool used to collect macroinvertebrate samples from freshwater. Schultz’ compelling take on these forms are exhibited in Tookany Creek, in High School Park, Elkins Park, PA. A World in Our Streams combines creative artworks and conservation science to explore the dynamic habitat of aquatic macroinvertebrates.

Jeanne Dodds, Endangered Species Coalition Creative Engagement Director, shares a conversation with Rebecca Schultz about her creative project A World in our Stream, and how this project fits into her larger creative practice supporting biodiversity conservation.

Photo credits: Julia Way @jwayprojects and Djibrine Mainassara @djibrinemainassara

Jeanne Dodds: What are aquatic macroinvertebrates, anyhow? What makes them such fascinating and ecologically significant species? And amazingly, some macroinvertebrates are pollinators…. tell us how that works!

Rebecca Schultz: Macroinvertebrates are animals without a backbone that you can see without using a microscope or magnifying glass. This includes insect larvae–such as dragonflies, damselflies, stoneflies, and mayflies–who spend more of their lives in the water than they do on land. Many flies live only weeks, days, or even minutes after they emerge from the water as adults–they don’t have mouth parts to eat–and they focus primarily on reproducing before they die. Freshwater snails, worms, and crustaceans like crayfish and their smaller cousin called scuds are also macroinvertebrates. 

One of the important things about macroinvertebrates is that they are excellent bioindicators. They help us to assess the health of a water body, because they live most of their life in the stream and different ones are more or less sensitive to pollution. So if you find certain species–for example, caddisflies, which I found in the stretch of Tookany Creek where I installed my sculpture–that are very sensitive to pollution. So their presence indicates that the creek is healthy. The other thing about macroinvertebrates is that some–like the stonefly–are pollinators, or they are food for other pollinators, such as hummingbirds. In short, they’re a critically important part of watershed ecosystems.  

JD: Why do you think it’s important to recognize and pay attention to less well known species, such as macroinvertebrates? 

RS: I consider myself pretty knowledgeable about the natural world and local ecosystems, but I didn’t know anything about macroinvertebrates until I took the training on them. This lack of knowledge was reflected in the audience for my artist talk–so many people came up to me afterwards and thanked me for raising awareness about these creatures that most of them have never thought about. 

I think this awareness is particularly important because insects are a critical component of our ecosystems. They make up over two-thirds of the world’s 1.5 million known animal species, and current estimates indicate that 40% of insect species are in decline, and a third are endangered. Habitat loss, the use of pesticides and climate change are the most significant threats. So learning about macroinvertebrates is the first step to being motivated to protect their habitat. 

Photo credits: Julia Way @jwayprojects and Djibrine Mainassara @djibrinemainassara
Photo caption: Rebecca Schultz delivering her Artist Walk and Talk to attendees at High School Park, for the opening of the A World in Our Streams installation

JD: How did you make the connection between your creative practice and  themes of macroinvertebrate habitat in your current project, A World in Our Streams?

RS: For a number of years, the impetus for my creative work has been to help repair the relationship between us humans and the more-than-human world by reconnecting us with the ecosystems that surround us. I believe that doing so is critical to our collective survival in the face of the climate and biodiversity crises. 

Watersheds have evolved as the ecosystems I’m particularly interested in–they are the essence of what scientists are increasingly calling the critical zone, where rock, water, plants, fungi, and–based on newer science, microbes–interact with each other to create the foundation for life. And, where I live, our environmental challenges center on water–how to adapt to heavier rainfall and stormwater runoff, combined sewer overflow, and flooding due to heavier rainfall. It’s important to me to have some baseline scientific knowledge of the ecosystems I work with, so in 2022 I became a streamkeeper with the Tookany/Tacony-Frankford Watershed Partnership (TTF). I monitor a section of Tookany Creek once a month, and through that work have attended trainings to better understand how to assess the health of watersheds. I was offered the opportunity to get certified as a Save Our Streams monitor, which entailed learning how to sample and identify macroinvertebrates. And I became really fascinated with them! 

JD:  How did you develop the relationship between your artwork and the location of High School Park and Tookany Creek? Why and how is this place specifically important to your work? 

Photo credits: Julia Way @jwayprojects and Djibrine Mainassara @djibrinemainassara

RS: I moved to this area in 2016, after 20 years of living in the San Francisco Bay Area, where the regional parks were one of my favorite places to spend time. High School Park is a 10-minute walk from my home, and while it’s small, it’s mighty! For thirty years, our neighbors have worked diligently to restore diverse native ecosystems, from a meadow to woodlands, to the stretch of Tookany Creek that runs through the Park. It’s such a special place. 

In the last 8 years, I have learned so much about native ecosystems–much of that from the relationships I’ve built with local environmental organizations, like Friends of High School Park and the Tookany/Tacony-Frankford Watershed Partnership (TTF). Tookany Creek winds through Cheltenham Township on its way to the Delaware River; through my volunteering as a streamkeeper and the continued evolution of my practice, I’ve become more and more connected to this landscape. So much so, that when my stepson passed away in January, our family planted a tree for him in High School Park. We all visit the tree–an American Persimmon–regularly. It has become a site of solace for us, in the face of profound grief. 

JD: Please tell us a bit more about your artistic practice, specifically, your previous projects at High School Park involving watersheds and soils.

RS: About ten years ago, I re-focused my creative practice on visual art, after decades of making theater and performance art. At the same time, I was becoming more aware of the scale of the intertwined climate and biodiversity crises, and wanted my work to be a response. As I became more interested in art and ecology, I wanted to start making outdoor installations with natural materials. In 2020, during covid, I asked Cynthia Blackwood, the park manager, if I could do some installations in High School Park. I was very grateful to have the opportunity to experiment in this way. The following year, my friend and fellow artist Julia Way, who was on the Friends of High School Park board, started a summer outdoor art program. I collaborated with Brenda Howell on the piece Walk the Green Path, which created a pathway through the native meadow, with signage about the common, latin, and Lenape names of medicinal plants that were growing there. In 2023, my community-engaged, participatory art and community science project Mapping Our Watershed was also part of the summer series. 

Also in 2023, Cynthia was in the process of creating a “stumpery” in the Park, and asked me if I would make a stump sculpture with pieces of trees that had been cut down. Tree stumps and fallen trees are the site of rich ecosystems, including plants, mosses, lichen, fungi, and insects. Once I had finished the piece, Cynthia put native plants in around it. I visit the stump sculpture every single time I’m at the park, because it is constantly changing and evolving. It is now a collaboration with thousands of other living things, what I call my more-than-human relations. This piece inspired me to want to create more sculptural habitat, and led me to A World in Our Streams

JD: What do you hope that audiences and participants engaged with this project take away from their experiences with the installation and macroinvertebrates?

RS: I hope they gain a greater understanding of, and appreciation for, aquatic macroinvertebrates, so that they are more motivated to conserve and protect them as an essential part of our watersheds. In Cheltenham Township, water is one of our most pressing environmental issues–how we will adapt to increasing heavy rainfall and the resulting stormwater runoff, and how we will protect the biodiversity that keeps our watersheds healthy so that they are more resilient. My work is grounded by an intent so beautifully captured by Senegalese environmentalist Baba Dioum: “In the end we will conserve only what we love; we will love only what we understand; and we will understand only what we are taught.”

I also want audiences to understand that art is an important vehicle for imagining and constructing the world we want, a world where we acknowledge and step into our role as a part of ecosystems, not separate from it. I was in France recently, and had the incredible experience of seeing cave paintings that were made 27,000 years ago. Our ancestors had short and hard lives, but they still made art. It’s essential to our humanity. 

JD: Is there anything else about the project you’d like to share with the ESC audience?

RS: This project has been a lesson in resilience and flexibility. I installed three sculptures woven from willow branches, inspired by the forms of indigenous fish traps, in Tookany Creek the day before my artist talk. I also put two sculptures inspired by Hester Dendy macroinvertebrate samplers into the stream, tied to cinder blocks. That night, there was a storm where we had nearly an inch of rain in an hour and 35 mph wind gusts. I came back the next morning, and the woven sculptures were almost completely destroyed. One of the Hester Dendys was nowhere to be found. Water is extremely powerful. I quickly rebuilt two woven forms, that are shorter and more densely woven than the first set, and installed them in the creek. It’s now been more than two weeks, and they’re doing okay. They’re actually collecting leaves and other natural debris, which is a good thing. They’re evolving in collaboration with the creek. On August 24th, I will co-facilitate a workshop with my friend and collaborator Ryan Neuman from TTF, where we will sample macroinvertebrates from the sculptures and see what we find! 

A World in Our Streams exhibit is sponsored by the Endangered Species Coalition Pollinator Protectors campaign, in collaboration with Friends of High School Park.

Photo credits: @jwayprojects and @djibrinemainassara

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Shoshone-Bannock Tribes and the Fort Hall Native Plant Distribution Project. https://www.endangered.org/shoshone-bannocktribal-members-and-the-fort-hall-native-plant-distribution-project/ Mon, 05 Aug 2024 16:40:00 +0000 https://www.endangered.org/?p=34537 Authors: Sidney Fellows, Christina Stucker-Gassi, Choice Vaughn, Nolan Brown In collaboration with our member organization, Alternatives to Pesticides, Endangered Species Coalition has supported photographic documentation of the Fort Hall Native Plant Distribution Project by the Shoshone-Bannock Tribes. Please read the…

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Authors: Sidney Fellows, Christina Stucker-Gassi, Choice Vaughn, Nolan Brown

In collaboration with our member organization, Alternatives to Pesticides, Endangered Species Coalition has supported photographic documentation of the Fort Hall Native Plant Distribution Project by the Shoshone-Bannock Tribes. Please read the following article, describing this collaborative, Tribally led project, and to see the work of Choice Vaughn, project photographer. 


 

In the summer of 2022, I took a walk with a group of fellow Shoshone-Bannock Tribal members and other friends and colleagues in the foothills of the Fort Hall Indian Reservation. The Shoshone-Bannock Tribes are made of Sosoni [Shoshone] and Panakwate [Bannock], collectively we identify ourselves as newenee, a plural term meaning human beings, or native people, and newe (pronounced with an ‘eh’ sound like the e in roses). Newe is a term used as either a noun or an adjective, such as the Shoshone word newe-dekape [native-food]. Our group visited the plants who give us our traditional newe-dekape [native foods], medicines, and fibers (figure 1). Tsiavui or Tsiambi (Rosa woodsii), Teavui or Deambi (Amelanchier spp.), Hupui or Weda’a Dekappe (Sambucus cerulea)(figure 2), and other unripe berries had our attention; we shared questions, observations, and knowledge about these plants who have been taking care of our people, and us them, for millennia. Months before the walk, the Northwest Center for Alternatives to Pesticides (NCAP) sought out recommendations from the Shoshone-Bannock Tribes to adapt existing projects, originally designed for native plant habitat installations to increase pollinator health and biodiversity, to the cultural needs of the Tribes. In doing so, the Fort Hall Native Plant Distribution Project was created as an effort to support tribal access to native plants.

Natesu in bloom. "Hupui" (Bannock) or “Weda’a Dekappe” (Shoshone) also known as Elderberry, in bloom interacting with the pollinators. Photo by Choice Vaughn.

Earlier that summer, four Tribal members were recruited by NCAP to help kickstart the Fort Hall Native Plant Distribution Project. In August 2022, Christina Stucker-Gassi (Euro-American; NCAP Healthy Food & Farms Program Manager), Choice Vaughn (Shoshone-Bannock), other community members, and I (Shoshone-Bannock, Chippewa-Cree; NCAP Program Specialist) organized to distribute free native plants, aka traditional newe-dekaape [native foods], medicines, and fibers, at the Shoshone-Bannock Tribes’ 57th Annual Indian Festival (figure 3). We held our second distribution the following year at the 58th Annual Shoshone-Bannock Festival. According to Shoshone-Bannock Creation stories, we have evolved with native plants since time immemorial. Similar understandings are found in other Indigenous communities across the world and in Western science. The plant-human connection happens through food, medicine, and fiber uses, but also through cultural practices, such as song and ceremony, that contribute greatly to the identity and health of Shoshone-Bannock Newenee.

Leading up to the 2022 Festival, the group of Tribal members and NCAP staff gathered throughout the summer to learn about plant practices and discuss elements that would enrich the Fort Hall Native Plant Project. Suggestions brought forward by Tribal members included more organized plant walks that encourage the transmission of knowledge and greater access to plants and seeds. The input from our Fort Hall community members guided our work’s focus and set new commitments around plants and the community into motion.

In spring 2023, NCAP continued building partnerships with the Shoshone-Bannock Tribes around culturally significant plants. Because of previous conversations between the NCAP team and Tribal interest in the historic staple food Teva or Deva (Shoshone and Bannock name for Pinus monophylla), Nolan Brown (Shoshone-Bannock Language and Culture Preservation Department [LCPD] Original Territories and Historical Researcher Manager), Carolyn Smith (Cultural Resources Coordinator for the Tribes’ Heritage Tribal Office/Cultural Resources), Louise Dixey (LCPD Cultural Resources Director), and other Tribal members considered how Deva could become accessible to current and future generations. We considered additional, related goals of the Tribes as well. For instance, the Tribes’ responsibilities and rights to hunt and gather on unoccupied lands, as declared by the Tribes’ 1868 Fort Bridger Treaty under Article 4, requires adequate populations and resources to do so, since the stipulation goes on to say, “so long as the game may be found thereon”. (Game refers to animals, plants, and other sources of livelihood and culture). For game to be found, and in this case Deva, the Tribes efforts to preserve and protect such traditional foods must remain dynamic to ensure plants, animals, waters, and other nonhuman persons are sustained. Additionally, Deva conservation addresses threats to the tree such as black stain mold, pine beetles, extreme heat events, and increases in wildfires. Thus, the Pinyon Project was born.

Sidney Fellows (Shoshone-Bannock and NCAP Staff), Christina Stucker-Gassi (NCAP Staff), distributing indigenous plants to tribal members during festival. Reconnecting tribal members with traditional foods/plants. Photo by Choice Vaughn.
Sidney Fellows (Shoshone-Bannock and NCAP Staff), Christina Stucker-Gassi (NCAP Staff), & members of the community on an informational plant walk on the fort hall reservation/reserve. Photo by Choice Vaughn.

Through research, conversations with tribal partners and scientists, a story of a successful Deva transplanting at Fort Hall from a Shoshone-Bannock resident, and walks across landscapes suited for the tree (Figure 4), we decided to install a grove of Deva saplings onto the reservation. The intentions of the Pinyon Project are to increase tribal access to the plant, increase food production for future generations on the reservation (trees produce pine nuts around age 25), and uplift cultural practice in the community. A community planting is scheduled for Fall 2024 and our Pinyon team is working to make the planting educational, integrating knowledges from Western science around planting logistics and from our Shoshone-Bannock cultural practices that encourage human relationality to the Earth. This project is a great investment that NCAP and the Tribes will continue to develop and care for. 

Christina Stucker-Gassi (NCAP Staff), Sidney Fellows (Shoshone-Bannock and NCAP Staff), & Nolan Brown of LCPD discussing locations best suited for the Pinyones project. From water to accessibility for tribal membership. Photo by Choice Vaughn.

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Celebrating and Conserving Sonoran Desert Species https://www.endangered.org/celebrating-and-conserving-sonoran-desert-species/ Fri, 17 May 2024 15:34:34 +0000 https://www.endangered.org/?p=34079 Saguaro cactus. Agave. Monarch butterflies. These are just a few of the iconic plant and animal species of the Sonoran Desert spotlighted at one of our recent community events for biodiversity conservation, in Arivaca, Arizona. On April 20th, we celebrated…

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Saguaro cactus. Agave. Monarch butterflies. These are just a few of the iconic plant and animal species of the Sonoran Desert spotlighted at one of our recent community events for biodiversity conservation, in Arivaca, Arizona. On April 20th, we celebrated and raised awareness of imperiled species, through visual art, community outreach, native plantings, science lectures, and youth activities. In partnership with the Arivaca Pollinator Pathway Project, and with a generous donation of agaves from member organization Bat Conservation International, the Endangered Species Coalition installed agave and other native plants to create a night blooming garden for nighttime pollinator specialists, including pollinating bats and moths. 

While community members installed the native plants, including the agave along with night blooming yucca, datura, and others, Tohono O’odham artist Paul ‘Nox’ Pablo painted a representative mural, illustrating the nighttime garden species and the plants on which they rely. The center panel of the mural features a whirlwind design, which has significance in the Tohono O’odham culture as a representation of the wind and is an important symbol of pollination and the element of air. 

This is the second mural created in Arivaca by Paul, with the first being a wrap-around mural showing daytime and nighttime native plants and pollinators, created for the 50th Anniversary of the Endangered Species Act. These murals demonstrate cultural and community connections to natural systems, and the importance of biodiversity.

Similarly, the Arivaca Pollinator Pathway Project is having a transformative impact in the community, through the installation of eight public pollinator gardens, funded with support from Endangered Species Coalition’s Pollinator Protectors campaign. The newest facet of the Arivaca Pollinator Pathway Project is the registration of home gardens and free consultation for their owners, to increase the availability of plants for pollinators and increase community awareness of native species. 

Emily Bishton, founder of Arivaca Pollinator Pathway Project explains, “The community’s whole-hearted embrace of this project, from tots to seniors, is what has given it so much life and growth over the past 15 months”.

Endangered Species Coalition and our partners are working hard to create corridors for native plants and pollinators in Arivaca and across the US. You can be involved in funding the habitat creation work of ESC’s Pollinator Protectors by purchasing our newest Bonfire shirt, featuring artwork by Paul ‘Nox’ Pablo.  In the southwestern United States, some of our most important pollinators migrate across international borders, including the imperiled monarch butterflies and the lesser long-nosed bat, a bat species whose population recovered, thanks to Endangered Species Act protection.

The shirt design features species with special meanings for the Tohono O’odham, including animals and plants featuring prominently in legends and winter storytelling traditions. Tohono O’odham consider saguaro cacti to be tribal members, and the saguaro fruit is an important traditional source of food and also used in traditional ceremonies. indicating the Tohono O’odham new year. 

The Bonfire Campaign closes Monday, May 20th, so be sure to get the design while you can! Thank you for your support of imperiled native plants and pollinators.

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Mural brings the rustypatched bumblebee back to Ohio https://www.endangered.org/mural-brings-the-rustypatched-bumblebee-back-to-ohio/ Wed, 21 Feb 2024 16:45:23 +0000 https://www.endangered.org/?p=33749 Across the tallgrass prairies of the midwestern United States, rusty patched bumblebees (Bombus affnis) once thrived in a landscape rich with native plants providing nectar and shelter. Today, the rusty patched bumblebee is listed under the Endangered Species Act, and…

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Across the tallgrass prairies of the midwestern United States, rusty patched bumblebees (Bombus affnis) once thrived in a landscape rich with native plants providing nectar and shelter. Today, the rusty patched bumblebee is listed under the Endangered Species Act, and since 2003 has rarely been observed in the landscapes where this bee historically ranged. As a result of habitat loss and land use conversion to agriculture, the habitat that the rustypatched bumblebee needs has been dramatically altered.

Through the power of visual artwork for biodiversity conservation, the rustypatched bumblebee is once again visible in Ohio. As part of the Endangered Species Act 50th Anniversary National Mural Project, artist Kenia Lamarr created and installed a rusty patched bumblebee in the Linden neighborhood of Columbus, Ohio. Kenia collaborated with community partners, including Sunny Glen Garden, local businesses, educators, youth, and other artists to identify a high-visibility location for the mural. Kenia’s rustypatched bumblebee mural will be the backdrop for a major pollinator festival in Linden, in June 2024, including native plant giveaways, habitat installation, educational opportunities, and community celebration.

Watch this great video  of Kenia at work on the mural, in collaboration with local youth and artist partners, by Mikel Wilson/Mizzel Enterprises. You can see more of her work on her website www.kenialamarr.com, or follow her on Instagram, @kenialamarr

Jeanne Dodds, Endangered Species Coalition Creative Engagement Director, chats with Artist Kenia Lamarr about her creative practice and the impact of art for communities and biodiversity conservation.

Jeanne Dodds: Can you talk to us a bit about how you got started as an artist and muralist?

Kenia Lamarr: My journey as an artist and muralist began over a decade ago when I received formal visual arts training at a performing arts school in my hometown of Dayton, Ohio. This foundational experience provided me with the skills and inspiration to explore various forms of creative expression.

During my time at the school, I had the opportunity to participate in live painting events for notable platforms such as TedX Dayton, which allowed me to showcase my talents and connect with a broader audience. Additionally, I interned for a curator at the Dayton Art Institute, where I gained valuable insights into the art world and honed my craft further.

My creative portfolio is a kaleidoscope of vibrant portraiture, infused with the rich tapestry of mixed media and the intricate layers of human experiences. Influenced by my travels and spiritual awakening, I discovered the profound significance of color in healing practices across cultures—from psychology to Reiki, and the ancient wisdom of Yoruba.

As I continued to develop as an artist, I found myself drawn to the medium of public art and murals. The idea of creating large-scale works of art that could transform public spaces and evoke emotions in viewers deeply resonated with me. Inspired by the vibrant colors and diverse textures found in street art and graffiti, I began experimenting with mural painting techniques and exploring themes related to human nature and community. Whether I’m painting a mural for a local community project or collaborating with fellow artists on a large-scale installation, my goal remains the same: to inspire and uplift others through the transformative power of art.

JD:  Your rusty patched bumblebee mural was created for the National Mural Project for the 50th Anniversary of the Endangered Species Act. Why do you think it’s important to recognize this conservation milestone through murals? 

KL: Creating the rusty patched bumblebee mural for the National Mural Project celebrating the 50th Anniversary of the Endangered Species Act was a deeply meaningful experience for me. I believe it’s incredibly important to recognize conservation milestones like this through public art displays for several reasons.

Firstly, murals have a unique ability to capture attention and spark conversations. By immortalizing endangered species such as the rusty patched bumblebee in public spaces, we achieve more than just raising awareness for the imperative need for conservation efforts; we inadvertently nurture community bonds. For instance, numerous individuals have paused at the mural to share their reflections, yet one woman’s poignant tale stands out. She revealed a profound connection to bumblebees during her cancer treatment, underscoring the mural’s capacity to resonate on deeply personal levels. These murals serve as poignant reminders not solely of the biodiversity crisis confronting our planet, but also as conduits for the shared human experiences that unite us all.

Secondly, murals have the potential to foster a sense of connection and empathy towards nature. When people see these larger-than-life representations of endangered species in their communities, they’re more likely to develop a deeper appreciation for the natural world and the importance of preserving it for future generations.

Furthermore, murals have the capacity to inspire hope and drive positive change. By celebrating milestones like the 50th Anniversary of the Endangered Species Act through public art, we’re sending a message of resilience and determination.

Recognizing conservation milestones through art is a powerful way to educate, inspire, and mobilize communities towards a more sustainable and harmonious relationship with the planet. It’s a visual representation of our commitment to protecting biodiversity and ensuring a thriving future for all species.

JD: You are involved in a lot of impactful outreach to local youth and educators to include young people in your work. Why is this connection to local youth, and their access to art opportunities, important to you?

KL: The connection to local youth and their access to art opportunities holds profound significance for me on both a personal and societal level. As an artist, I believe in the transformative power of creativity to shape young minds and inspire future generations. By engaging with local youth and educators, I strive to cultivate a sense of empowerment and self-expression through artistic endeavors.

First and foremost, providing art opportunities to young people fosters creativity and critical thinking skills essential for their personal and academic growth. Moreover, art serves as a universal language that transcends cultural barriers and allows young people to express themselves authentically. By connecting with local youth through art, we create inclusive spaces where diverse perspectives are valued and celebrated. This fosters a sense of belonging and strengthens community bonds, ultimately contributing to a more vibrant and resilient society. The young participants who contributed to the mural are residents of the neighborhood, offering them an opportunity to play an active role in enhancing the beauty of their community.

In an age where young people face numerous challenges, including academic pressure, social media influence, and mental health concerns, art can serve as a source of solace and resilience. Ultimately, my commitment to connecting with local youth and providing access to art opportunities stems from a belief in the transformative potential of creativity to uplift individuals and communities alike.

I founded Got It N’ Us, an organization dedicated to fostering the creative spirit within underserved communities by offering accessible art enrichment programs and opportunities. Our mission is to empower individuals to express themselves through art, particularly in areas with limited cultural resources. In the fall of 2022, we partnered with the Linden community to launch The Coloring Linden Project. This initiative provided a safe and nurturing environment for Linden youth and community members to channel their creativity into constructive outlets. Through collaborative efforts, we transformed the neighborhood by completing community sculptures at two local recreation centers, offering a tangible and meaningful way for residents to beautify their surroundings and cultivate a sense of pride in their community.

JD:  Speaking broadly, how do you see the role of visual arts in communicating the incredible biodiversity of species – along with the urgent need for species conservation?

KL: Visual arts play a pivotal role in communicating the incredible biodiversity of species and the urgent need for species conservation by tapping into the universal language of imagery and emotion. Through the skillful use of color, form, and symbolism, we as artists and creatives have the power to evoke visceral responses and provoke thought on complex environmental issues.

Firstly, visual art has the ability to capture the beauty and intricacy of the natural world in ways that words alone cannot. It serves as a powerful tool for raising awareness about the threats facing endangered species and habitats.

Moreover, public art installations have the potential to mobilize action and drive positive change. By portraying the consequences of inaction alongside visions of a sustainable future, artists can inspire viewers to become advocates for conservation efforts in their own communities and beyond. It serves as a catalyst for education, empathy, and action, amplifying the voices of scientists, conservationists, and activists striving to protect our planet’s precious natural heritage.

JD: What was your experience like working on the rusty patched bumblebee mural specifically? What did you learn about this bumblebee species by making it the subject of your creative work?

KL: Working on the rusty patched bumblebee mural was a profoundly enriching experience for me on both a creative and educational level. As I delved into researching and depicting this endangered species, I gained a deeper understanding and appreciation for its importance in our ecosystem.

Firstly, the process of creating the mural allowed me to immerse myself in the world of the rusty patched bumblebee, learning about its habitat, behavior, and role as a pollinator. Through this exploration, I discovered the intricate beauty of the species, from its distinctive coloration to its fascinating lifecycle.

Furthermore, I learned about the significant threats facing the rusty patched bumblebee, including habitat loss, pesticide exposure, and disease. This knowledge deepened my commitment to raising awareness about the plight of endangered species and the urgent need for conservation efforts.

JD: What are your hopes and visions for how the Columbus, Ohio communities, and specifically the Linden neighborhood, will interact with or learn from your mural?

KL: My vision for the Linden neighborhood, as an underserved community, is focused on empowerment, resilience, and social equity.

I hope the mural serves as a beacon of hope and inspiration for residents of Linden, offering a visual representation of their community’s strength and resilience. By insisting on Linden youth participate in the creation process and showcasing the beauty of biodiversity and the importance of conservation, I aimed to instill a sense of pride and ownership among residents, reminding them that their voices matter and their neighborhood belongs to them.

Furthermore, I hope the mural sparks conversations about the environmental challenges facing underserved communities like Linden and encourages residents to advocate for equitable access to green spaces, clean air, and healthy food options. By raising awareness about these issues, I believe the mural has the potential to mobilize residents to demand positive change and work together to create a more sustainable and equitable future for their neighborhood. Ultimately, my vision for the mural in Linden is one of empowerment, education, and community building.

JD: Is there anything else you’d like to share about your creative practice, the ESA at 50 National

KL: My involvement in the ESA at 50 National Mural Project reaffirmed my belief in the power of art as a tool for social and environmental advocacy. Murals have the ability to reach diverse audiences and spark meaningful conversations, making them a powerful medium for raising awareness and inspiring action on critical issues.

As we reflect on the 50th anniversary of the Endangered Species Act, I am reminded of the urgent need to redouble our efforts to protect and conserve the incredible diversity of life on Earth. Through collaborative initiatives like the ESA at 50 National Mural Project, we can harness the transformative power of art to ignite positive change and build a more sustainable and equitable world for all species, including our own.

ESA at 50 National Mural Project

In celebration of the 50th anniversary of the Endangered Species Act, Endangered Species Coalition Member Organizations and community partners collaborated to create a series of murals throughout the US. The murals spotlight regional ecological and cultural diversity within the US and internationally, highlighting plants and animals protected by the Endangered Species Act. Species currently listed and in danger of extinction are featured, along with species recovered thanks to this landmark legislation.

Many of our ESA at 50 National Mural Project sites were created with leadership by ESC Pollinator Protectors planting partners. These projects increase the visibility of local native plants and pollinators , and engage local artists and communities to recognize the 2023 50th Anniversary of the Endangered Species Act. Many thanks to Sunny Glen Garden/Dianne Kadonaga and Center for Biological Diversity/Roger Peet for supporting the planning and implementation of the Linden mural, and huge thanks to ESC Member Organizations, for contributing project funding.

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Art for Endangered Species https://www.endangered.org/art-for-endangered-species/ Tue, 23 Jan 2024 15:51:57 +0000 https://www.endangered.org/?p=33647 #ESA50 National Mural and Art Series Celebrates the 50th Anniversary of the Endangered Species Act By Ren Bettencourt, FOUR PAWS USA _ The Endangered Species Act December 28, 2023 marks the 50th anniversary of the signing of the U.S. Endangered…

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#ESA50 National Mural and Art Series Celebrates the 50th Anniversary of the Endangered Species Act

By Ren Bettencourt, FOUR PAWS USA

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The Endangered Species Act

December 28, 2023 marks the 50th anniversary of the signing of the U.S. Endangered Species Act (ESA). This landmark legislation protects vulnerable animals, both within the U.S. and around the globe, and has led to the successful recovery of species on the brink of extinction, such as the iconic bald eagle, the Channel Island Fox, and the green sea turtle.

In 1973, then president Richard Nixon signed the ESA into law after it passed through the Senate and House of Representatives with near unanimous bipartisan support (a vote of 92-0 in the Senate and 355-4 in the House). The ESA has endured the test of time and remains a long-lasting example of commitment, cooperation, and the conservation triumphs we can make when working together.

“Nothing is more priceless and more worthy of preservation than the rich array of animal life with which our country has been blessed. It is a many-faceted treasure, of value to scholars, scientists, and nature lovers alike, and it forms a vital part of the heritage we all share as Americans [and] which we hold in trust to countless future generations of our fellow citizens. Their lives will be richer, and America will be more beautiful in the years ahead, thanks to the measure that I have the pleasure of signing into law today.”

The ESA50 Coalition

FOUR PAWS is a member of the ESA50 coalition, a group of like-minded animal protection, conservation, and environmental organizations, as well as several government agencies, who’s work all intersects with endangered species in some capacity. This year, the coalition has come together for a year-long celebration of the ESA, which includes the national mural and art series, educational events and forums, advocacy opportunities, and an ESA50 Awards Ceremony and Gathering in Washington D.C. this past September. 

The Endangered Species Mural and Art Series

A highlight of the ESA50 celebration, the national mural and art series features artwork created by coalition members across the United States that represent plants and animals protected by the ESA, which are important to their work or local region. The series features both species that are currently listed as endangered, as well as species that have successfully recovered thanks to this landmark legislation.

Learn more about all of the murals in the ESA50 series below!

Migration: A Natural Act, Artist Raquel Madrigal, Sponsored by The Doña Ana Village Association (DAVA), Endangered Species Coalition, and Bat Conservation International Doña Ana, NM

 

Migration: A Natural Act is a striking portrayal of the natural magnificence of southwestern New Mexico, with a particular focus on its imperiled fauna. The mural highlights the Boreal Owl, Gila Monster, and two endangered fish species –  the Chihuahua Chub and Roundtail Chub. Migration is a recurring theme of the artwork, with the river symbolizing the innate movement of humans and animals across the landscape. Read more here.

Location:  135 Joe Gutierrez St., Las Cruces, NM

About the Artist: Raquel Madrigal is an interdisciplinary artist with a degree in Fine Arts, who is widely known for her captivating murals, posters and zines that incorporate her unique poetry. Her murals, in particular, have garnered attention for their powerful narrative highlighting the struggles and triumphs of working-class families as well as the endangered species in Southern New Mexico.

Beyond Borders: The Beauty and Peril of the Tiger, Artist Sonny Sundancer, Sponsored by FOUR PAWS, New York City, NY

This three-story tall mural in lower Manhattan is a collaboration between FOUR PAWS and urban contemporary artist, Sonny Sundancer. Featuring a tiger, the mural raises awareness about protecting tigers around the world—both in the wild and in captivity—and highlights our #BreakTheVicious Cycle campaign, which aims to ban the commercial trade of all big cats in South Africa. Learn more here.

Location:  188 Lafayette St., NY, NY.

Feel free to take photos and tag us @fourpawsusa for a chance to be featured in our stories!

About the Artist: Sonny Behan, also known as Sonny Sundancer, is an acclaimed artist renowned for his magnificent large-scale wildlife murals and intricately detailed oil paintings. His art, which seamlessly blends realism with abstraction, can be found in galleries and streets worldwide, from South Africa to New York. His bold use of color and dynamic compositions capture the movement of the animals he brings to life.

Nature’s Kaleidoscope, Artist, Jeremy Nicols, Sponsored by Oregon Wild, The Humane Society of the United States, ESA50 Coalition Partners in Portland, OR

The 600 sq ft. masterpiece titled Nature’s Kaleidoscope, depicts an ecosystem of imperiled species and was painted over 14 days by talented local artist Jeremy Nicols. The mural features a gray wolf, a northern spotted owl, coho salmon, western-painted turtles, and as well as an array of pollinators and native plants.  Read more here.

Location: NW 13th Ave & NW Lovejoy St, Portland, OR

About the Artist: Jeremy Nicols was born in Japan in 1982. His work tends to focus on the energy, movement, balance, and harmony of the chaos around us. From urban growth and development, to the forward push to preserve the nature around us.

MAYÁHUEL and MICTLANTECUHTLI, by Artist HOKZYN, Sponsored by Chelenzo Farms, Endangered Species Coaltion, Lobos of the Southwest, Bat Conservation International, WildEarth Guardians, and ESA50 Coalition Partners, in Cerrillos, NM

“MAYÁHUEL” depicts Mayahuel, the Aztec goddess of fertility, agave, and sacred beverages emerging from an agave plant. Beside the goddess are Mexican long-nosed bats (Leptonycteris nivalis) which are a regional endangered species crucial towards pollinating agave and other flowering plants.

“MICTLANTECUHTLI” depicts the Aztec god of death and the underworld, Mictlantecuhtli, surrounded by the Mexican gray wolf (Canis lupus baileyi) and the Mexican spotted owl (Strix occidentalis lucida) which according to folklore acted as a messenger to the land of the dead.

Location: Chelenzo Farms, 48B Rainbows End, Cerrillos, NM

About the Artist: The murals, distinguishable by HOKZYN’s unique graffiti-inspired art style, not only pay tribute to the rich Aztec culture, but also spread awareness of indigenous endangered species in Mexico and New Mexico. HOKZYN explains her intention was to “work with the original codex illustrations of each Aztec divinity, as a sign of respect and offering to the gods represented.”

Ha-Nukkud, Artist Paul ‘Nox’ Pablo, Sponsored by Arivaca Pollinator Pathway Project, Endangered Species Coalition, and ESA50 Coalition Partners  in Arivaca, AZ

Ha-Nukkud, which means “to protect” in the Tohono O’odham language is a permanent fixture at the Arivaca Dancehall, and is a collaboration between the Arivaca Pollinator Pathway Project, Tohono O’odham artist Paul ‘Nox’ Pablo, and a steering committee of Arivaca community members. The three-sided mural features endangered and threatened species native to Arivaca, including: a monarch butterfly, the Lesser Long-nosed Bat pollinating a Saguaro blossom, a Cactus Ferruginous Pygmy-Owl, and other bees, butterflies, insects, and bats pollinating native wildlife. Read more here.

Location: Arivaca Dancehall, 17271 W. 5th St, Arivaca, AZ

About the Artist: Paul ‘Nox’ Pablo is from the San Miguel region of the Tohono O’odham Nation and has been creating art in Southern Arizona and other regions of the US for over a decade.  Besides his solo work as a painter and an aerosol muralist, he is a member of the indigenous artists collective Neoglyphix, who work together as a group to create murals and to provide youth with art-making experiences.

European Black Rail, Artist Yulia Avgustinovich, Sponsored by the Audubon Society in Washington D.C.

This Black Rail looms large next to the Park at LeDroit in Washington D.C. A small, secretive marsh bird, no bigger than a sparrow, the Black Rail is challenging to find, even for scientists studying the stealthy creature. Black Rails nest only a few inches above the ground, which means they are particularly susceptible to sea-level rise. Their nests can likewise be washed out by high tides and severe storms. The Eastern subspecies, which lives primarily along the Atlantic and Gulf Coasts, was listed as threatened under the Endangered Species Act in 2020. Because climate change and the ongoing conversion of their habitat continue to pose an existential threat, a network of partners is working to identify strategies to to restore the Eastern Black Rail throughout the Atlantic Flyway.

Location: 307 Elm Street NW, Washington, D.C. 

About the Artist: After studying art in college in Belarus, Yulia Avgustinovich realized she wasn’t the sort of artist who wanted to be sitting in a studio painting only for herself. So she brought her work into the street for everyone to enjoy. Avgustinovich began her career painting murals in Moscow; now based in Maryland, the muralist takes special inspiration from nature.

Mangrove Connections, Artist Kelly QuinnSponsored by the Ocean Preservation Society and the Endangered Species Coalition, in St. Petersburg, FL

This interactive mural highlights native mangrove forests and its abundant wildlife. The endangered smalltooth sawfish, the mangrove cuckoo, and a variety of fish species depend on this keystone habitat. Viewers can learn about each species in the mural through the interactive knowledge base on Canvas of the Wild. From there they can connect with ways to help protect local endangered species. Read more here.

Location: 2553 1st Ave North, St. Petersburg, FL

About the Artist:  Growing up as an artist at the edge of the Everglades headwaters, Kelly Quinn is passionate about protecting Florida’s natural ecosystems. She has been developing creative avenues that support environmental education. As the Art Director for Canvas of the Wild, Kelly creates large-scale murals and educational displays, as well as graphics, animations, and book illustrations that communicate science to our community.

Migration is Natural by Artist Ray Acosta, Sponsored by The Doña Ana Village Association (DAVA), Bat Conservation International, Lobos of the Southwest, and ESA50 Coalition Partners, in  Las Cruces, NM

 

“Migration is Natural” by Ray Acosta highlights 3 endangered species: the Mexican Gray Wolf, the Mexican Long Nosed Bat, and the Lesser Long Nosed Bat. The name of the mural reflects what these species do. The two bat species cross over to the U.S. from Mexico and back every year. The range of the Mexican Gray Wolf also includes several U.S. states. “This mural represents a chance of life for the endangered animals,” said artist, Ray Acosta. “What will the future look like without them? We need to preserve the animals and their habitat for the future generations to come, and my hope is that this mural can represent these animals in a beautiful way.”

Location: 442 E. Lohman Avenue, Las Cruces,N.M.

About the Artist: Ramon “Ray” Acosta is a New Mexico based artist who is widely known for his captivating murals both locally and nationally. Ray is self-taught and began painting large murals in the mid- 80’s while working with a local billboard company. He is an artist with a sense of humor. His signature touch is to add himself in each mural along with incorporating other small surprises throughout the art work.

Lion Mario, Artist Sophy Tuttle, Sponsored by FOUR PAWS, Boston, MA

Lion Mario was painted by renowned wildlife artist, Sophy Tuttle, and features the real-life eponymous lion who lives at our LIONSROCK Big Cat Sanctuary. Sophy’s painting advocates for continued protection for big cats and highlights FOUR PAWS’ work to rescue and protect lions and other big cats around the globe. Read more here.

Location: Mario’s portrait is proudly displayed at FOUR PAWS’ US office in Boston, Massachusetts.

About the Artist: Sophy Tuttle is an English-born, Boston-based artist specializing in nature inspired murals and artwork. Her work celebrates nature, reconsiders our position in the web of life, and creates new narratives that explore regenerative, resilient culture-building among all forms of life. 

Rusty-Patched Bumblebee by Artist Kenia LaMarr, Sponsored by Connecting Community Corridor for People Pollinators and the Planet (CCC for PPP), Sunny Glen Garden Endangered Species Coalition, Center for Biological Diversity, and ESA50 Coalition Partners, in Columbus, Ohio

Sunny Glen Garden and the Connecting Community Corridor for People Pollinators and the Planet (CCC for PPP) are partners in bringing an art mural to the Linden neighborhood in Columbus, Ohio. Resident Linden artist, Kenia LaMarr, has created a design for the Rusty-Patched Bumblebee – the first native bee on the endangered species list as we look for ways to prevent the Rusty-Patched Bumblebee from becoming extinct by providing native pollen and nectar food sources and habitat free from pesticides and chemicals, leaving leaves, stems, and dead seed heads up for the winter on individual properties, balconies, porches, and on schools, churches and businesses.

Location: Oakland Park and Maize Commerce Plaza, 929 Oakland Park Ave, Columbus, OH 

About the Artist: Being surrounded by family members who are artists in their own right, Kenia LaMarr found her love for creating art at a young age. Her portraits are vibrant and colorful, rarely using the traditional ideas of skin color; to explore the beliefs of identity and normative views to convey the concept of self while contradicting conventional notions of race. “The creation process of my art is healing for me. I hope it is for the viewers; even if that feeling is momentary. As a black portraitist, I desire to create dialogue around the layers of humanity and strive to gain a more profound perception of humankind.”

Western Snowy Plover, Artist Jonathan Martinez, Sponsored by the Audubon California in Sacramento, CA

This pair of Western Snowy Plovers are an outsize presence on The Nature Conservancy’s building in downtown Sacramento. The first Audubon Mural Project installation in California’s capital, the mural was commissioned by Audubon California and Wide Open Walls, joining a national network of murals that Endangered Species Coalition partners created to celebrate the 50th anniversary of the Endangered Species Act. The landmark environmental law provides crucial protection to animals like the Western Snowy Plover, whose population along the Pacific Coast has begun to tentatively rebound since first being listed as threatened in 1993.

 

Location: 830 S Street, Sacramento, CA 95811

 

About the Artist: Dedicated to painting wildlife exclusively, with every piece, Jonathan Martinez celebrates the natural world as he also calls on us, to protect it. Known as “Art of Endangered,” Martinez’ artistic journey began 10 years ago and since that time, he has stayed true to what has become his signature style: vibrant colors that seem to move, envelop and uplift the beauty of the wildlife he paints. Martinez paints in a variety of mediums. From small acrylic paintings and mixed- media drawings, to large-scale spray- painted murals.

You can learn more about the #ESA50 coalition and all the murals here.

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