Bees Archives - Endangered Species Coalition https://www.endangered.org/tag/bees/ Wed, 21 Feb 2024 16:55:43 +0000 en-US hourly 1 https://wordpress.org/?v=6.8.2 https://www.endangered.org/assets/uploads/2020/05/cropped-RS119_ESC-LOGO-FINAL-1-32x32.png Bees Archives - Endangered Species Coalition https://www.endangered.org/tag/bees/ 32 32 Mural brings the rustypatched bumblebee back to Ohio https://www.endangered.org/mural-brings-the-rustypatched-bumblebee-back-to-ohio/ Wed, 21 Feb 2024 16:45:23 +0000 https://www.endangered.org/?p=33749 Across the tallgrass prairies of the midwestern United States, rusty patched bumblebees (Bombus affnis) once thrived in a landscape rich with native plants providing nectar and shelter. Today, the rusty patched bumblebee is listed under the Endangered Species Act, and…

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Across the tallgrass prairies of the midwestern United States, rusty patched bumblebees (Bombus affnis) once thrived in a landscape rich with native plants providing nectar and shelter. Today, the rusty patched bumblebee is listed under the Endangered Species Act, and since 2003 has rarely been observed in the landscapes where this bee historically ranged. As a result of habitat loss and land use conversion to agriculture, the habitat that the rustypatched bumblebee needs has been dramatically altered.

Through the power of visual artwork for biodiversity conservation, the rustypatched bumblebee is once again visible in Ohio. As part of the Endangered Species Act 50th Anniversary National Mural Project, artist Kenia Lamarr created and installed a rusty patched bumblebee in the Linden neighborhood of Columbus, Ohio. Kenia collaborated with community partners, including Sunny Glen Garden, local businesses, educators, youth, and other artists to identify a high-visibility location for the mural. Kenia’s rustypatched bumblebee mural will be the backdrop for a major pollinator festival in Linden, in June 2024, including native plant giveaways, habitat installation, educational opportunities, and community celebration.

Watch this great video  of Kenia at work on the mural, in collaboration with local youth and artist partners, by Mikel Wilson/Mizzel Enterprises. You can see more of her work on her website www.kenialamarr.com, or follow her on Instagram, @kenialamarr

Jeanne Dodds, Endangered Species Coalition Creative Engagement Director, chats with Artist Kenia Lamarr about her creative practice and the impact of art for communities and biodiversity conservation.

Jeanne Dodds: Can you talk to us a bit about how you got started as an artist and muralist?

Kenia Lamarr: My journey as an artist and muralist began over a decade ago when I received formal visual arts training at a performing arts school in my hometown of Dayton, Ohio. This foundational experience provided me with the skills and inspiration to explore various forms of creative expression.

During my time at the school, I had the opportunity to participate in live painting events for notable platforms such as TedX Dayton, which allowed me to showcase my talents and connect with a broader audience. Additionally, I interned for a curator at the Dayton Art Institute, where I gained valuable insights into the art world and honed my craft further.

My creative portfolio is a kaleidoscope of vibrant portraiture, infused with the rich tapestry of mixed media and the intricate layers of human experiences. Influenced by my travels and spiritual awakening, I discovered the profound significance of color in healing practices across cultures—from psychology to Reiki, and the ancient wisdom of Yoruba.

As I continued to develop as an artist, I found myself drawn to the medium of public art and murals. The idea of creating large-scale works of art that could transform public spaces and evoke emotions in viewers deeply resonated with me. Inspired by the vibrant colors and diverse textures found in street art and graffiti, I began experimenting with mural painting techniques and exploring themes related to human nature and community. Whether I’m painting a mural for a local community project or collaborating with fellow artists on a large-scale installation, my goal remains the same: to inspire and uplift others through the transformative power of art.

JD:  Your rusty patched bumblebee mural was created for the National Mural Project for the 50th Anniversary of the Endangered Species Act. Why do you think it’s important to recognize this conservation milestone through murals? 

KL: Creating the rusty patched bumblebee mural for the National Mural Project celebrating the 50th Anniversary of the Endangered Species Act was a deeply meaningful experience for me. I believe it’s incredibly important to recognize conservation milestones like this through public art displays for several reasons.

Firstly, murals have a unique ability to capture attention and spark conversations. By immortalizing endangered species such as the rusty patched bumblebee in public spaces, we achieve more than just raising awareness for the imperative need for conservation efforts; we inadvertently nurture community bonds. For instance, numerous individuals have paused at the mural to share their reflections, yet one woman’s poignant tale stands out. She revealed a profound connection to bumblebees during her cancer treatment, underscoring the mural’s capacity to resonate on deeply personal levels. These murals serve as poignant reminders not solely of the biodiversity crisis confronting our planet, but also as conduits for the shared human experiences that unite us all.

Secondly, murals have the potential to foster a sense of connection and empathy towards nature. When people see these larger-than-life representations of endangered species in their communities, they’re more likely to develop a deeper appreciation for the natural world and the importance of preserving it for future generations.

Furthermore, murals have the capacity to inspire hope and drive positive change. By celebrating milestones like the 50th Anniversary of the Endangered Species Act through public art, we’re sending a message of resilience and determination.

Recognizing conservation milestones through art is a powerful way to educate, inspire, and mobilize communities towards a more sustainable and harmonious relationship with the planet. It’s a visual representation of our commitment to protecting biodiversity and ensuring a thriving future for all species.

JD: You are involved in a lot of impactful outreach to local youth and educators to include young people in your work. Why is this connection to local youth, and their access to art opportunities, important to you?

KL: The connection to local youth and their access to art opportunities holds profound significance for me on both a personal and societal level. As an artist, I believe in the transformative power of creativity to shape young minds and inspire future generations. By engaging with local youth and educators, I strive to cultivate a sense of empowerment and self-expression through artistic endeavors.

First and foremost, providing art opportunities to young people fosters creativity and critical thinking skills essential for their personal and academic growth. Moreover, art serves as a universal language that transcends cultural barriers and allows young people to express themselves authentically. By connecting with local youth through art, we create inclusive spaces where diverse perspectives are valued and celebrated. This fosters a sense of belonging and strengthens community bonds, ultimately contributing to a more vibrant and resilient society. The young participants who contributed to the mural are residents of the neighborhood, offering them an opportunity to play an active role in enhancing the beauty of their community.

In an age where young people face numerous challenges, including academic pressure, social media influence, and mental health concerns, art can serve as a source of solace and resilience. Ultimately, my commitment to connecting with local youth and providing access to art opportunities stems from a belief in the transformative potential of creativity to uplift individuals and communities alike.

I founded Got It N’ Us, an organization dedicated to fostering the creative spirit within underserved communities by offering accessible art enrichment programs and opportunities. Our mission is to empower individuals to express themselves through art, particularly in areas with limited cultural resources. In the fall of 2022, we partnered with the Linden community to launch The Coloring Linden Project. This initiative provided a safe and nurturing environment for Linden youth and community members to channel their creativity into constructive outlets. Through collaborative efforts, we transformed the neighborhood by completing community sculptures at two local recreation centers, offering a tangible and meaningful way for residents to beautify their surroundings and cultivate a sense of pride in their community.

JD:  Speaking broadly, how do you see the role of visual arts in communicating the incredible biodiversity of species – along with the urgent need for species conservation?

KL: Visual arts play a pivotal role in communicating the incredible biodiversity of species and the urgent need for species conservation by tapping into the universal language of imagery and emotion. Through the skillful use of color, form, and symbolism, we as artists and creatives have the power to evoke visceral responses and provoke thought on complex environmental issues.

Firstly, visual art has the ability to capture the beauty and intricacy of the natural world in ways that words alone cannot. It serves as a powerful tool for raising awareness about the threats facing endangered species and habitats.

Moreover, public art installations have the potential to mobilize action and drive positive change. By portraying the consequences of inaction alongside visions of a sustainable future, artists can inspire viewers to become advocates for conservation efforts in their own communities and beyond. It serves as a catalyst for education, empathy, and action, amplifying the voices of scientists, conservationists, and activists striving to protect our planet’s precious natural heritage.

JD: What was your experience like working on the rusty patched bumblebee mural specifically? What did you learn about this bumblebee species by making it the subject of your creative work?

KL: Working on the rusty patched bumblebee mural was a profoundly enriching experience for me on both a creative and educational level. As I delved into researching and depicting this endangered species, I gained a deeper understanding and appreciation for its importance in our ecosystem.

Firstly, the process of creating the mural allowed me to immerse myself in the world of the rusty patched bumblebee, learning about its habitat, behavior, and role as a pollinator. Through this exploration, I discovered the intricate beauty of the species, from its distinctive coloration to its fascinating lifecycle.

Furthermore, I learned about the significant threats facing the rusty patched bumblebee, including habitat loss, pesticide exposure, and disease. This knowledge deepened my commitment to raising awareness about the plight of endangered species and the urgent need for conservation efforts.

JD: What are your hopes and visions for how the Columbus, Ohio communities, and specifically the Linden neighborhood, will interact with or learn from your mural?

KL: My vision for the Linden neighborhood, as an underserved community, is focused on empowerment, resilience, and social equity.

I hope the mural serves as a beacon of hope and inspiration for residents of Linden, offering a visual representation of their community’s strength and resilience. By insisting on Linden youth participate in the creation process and showcasing the beauty of biodiversity and the importance of conservation, I aimed to instill a sense of pride and ownership among residents, reminding them that their voices matter and their neighborhood belongs to them.

Furthermore, I hope the mural sparks conversations about the environmental challenges facing underserved communities like Linden and encourages residents to advocate for equitable access to green spaces, clean air, and healthy food options. By raising awareness about these issues, I believe the mural has the potential to mobilize residents to demand positive change and work together to create a more sustainable and equitable future for their neighborhood. Ultimately, my vision for the mural in Linden is one of empowerment, education, and community building.

JD: Is there anything else you’d like to share about your creative practice, the ESA at 50 National

KL: My involvement in the ESA at 50 National Mural Project reaffirmed my belief in the power of art as a tool for social and environmental advocacy. Murals have the ability to reach diverse audiences and spark meaningful conversations, making them a powerful medium for raising awareness and inspiring action on critical issues.

As we reflect on the 50th anniversary of the Endangered Species Act, I am reminded of the urgent need to redouble our efforts to protect and conserve the incredible diversity of life on Earth. Through collaborative initiatives like the ESA at 50 National Mural Project, we can harness the transformative power of art to ignite positive change and build a more sustainable and equitable world for all species, including our own.

ESA at 50 National Mural Project

In celebration of the 50th anniversary of the Endangered Species Act, Endangered Species Coalition Member Organizations and community partners collaborated to create a series of murals throughout the US. The murals spotlight regional ecological and cultural diversity within the US and internationally, highlighting plants and animals protected by the Endangered Species Act. Species currently listed and in danger of extinction are featured, along with species recovered thanks to this landmark legislation.

Many of our ESA at 50 National Mural Project sites were created with leadership by ESC Pollinator Protectors planting partners. These projects increase the visibility of local native plants and pollinators , and engage local artists and communities to recognize the 2023 50th Anniversary of the Endangered Species Act. Many thanks to Sunny Glen Garden/Dianne Kadonaga and Center for Biological Diversity/Roger Peet for supporting the planning and implementation of the Linden mural, and huge thanks to ESC Member Organizations, for contributing project funding.

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RELEASE: More Than One Million Save the Bees with Bee City USA https://www.endangered.org/release-more-than-one-million-save-the-bees-with-bee-city-usa/ Thu, 15 Sep 2022 16:25:32 +0000 https://www.endangered.org/?p=31382 More Than One Million Save the Bees with Bee City USA For immediate release September 15, 2022. Contact:Laura Rost, Bee City USA and Bee Campus USA Coordinator, The Xerces Society, (503) 212-0894, beecityusa@xerces.org Matthew Shepherd, Director of Outreach and Education, The…

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More Than One Million Save the Bees with Bee City USA

For immediate release September 15, 2022.

Contact:
Laura Rost, Bee City USA and Bee Campus USA Coordinator, The Xerces Society, (503) 212-0894, beecityusa@xerces.org

Matthew Shepherd, Director of Outreach and Education, The Xerces Society, (503) 212-0802, matthew.shepherd@xerces.org

PORTLAND, Ore.; September 15, 2022—It is no secret that pollinators like bees and butterflies have been facing numerous threats, including habitat loss and pesticide use. Yet for more than one million participants in the nationwide Bee City USA program have taken the pollinators’ plight as an opportunity to get to work.

From early beginnings with a single chapter in Asheville, North Carolina in 2012 led by founder Phyllis Stiles, the program has blossomed into more than 300 affiliate programs located across 45 states, presently managed by the Xerces Society for Invertebrate Conservation since 2018.

In just the past three years, Bee City USA has engaged more than one million people in pollinator conservation and completed more than 2,566 habitat projects covering over 3,700 acres.

Cities and towns take the lead to protect pollinators

“When Master Gardener Barb Fenne came to us with the idea of partnering with the city by joining the Bee City USA network, it seemed like a good fit,” says Ray Hopper, founder of the Help Save the Bees Foundation based in Reno, Nevada.

Working closely with Reno parks management, the resolution passed unanimously to make Reno one of the newest Bee City USA affiliates. The city is planning a kickoff event this week to celebrate becoming the Biggest Little Bee City.

“Our hope is that our combined forces can be utilized to change the perception of Reno residents as to what an attractive yard looks like,” says Ray. “And that by utilizing native plantings, encouraging predatory insects, and using less chemicals, we can continue to grow in population while mitigating the impact in our city and on our planet.”

As new Bee City affiliates are making plans, established chapters are wrapping up a busy season of pollinator conservation projects.

In Ohio, Wright-Patterson Air Force Base staff and volunteers collected 17 pounds of native seeds from Huffman Prairie, redistributing them across 112 acres of natural areas to aid in the restoration and enhancement of this imperiled native habitat. They provide ongoing control of invasive species and maintain monarch butterfly waystations.

The Bee City USA committee in Talent, Oregon certified 13 new pollinator gardens, bringing the total in their small community to an impressive 73. The city of Madison, Wisconsin continued their efforts to convert roadway medians to either shortgrass prairie or to low-mow bee lawn.

In Gillette, Wyoming, participants run pollinator-friendly beautification projects, supplying approximately 1,000 flats of flowers to plant throughout the city with their Adopt-a-Planter volunteer program. The city recently added more than 150,000 sq. ft. of water-conserving turf, trees, and pollinator-friendly perennials.

Students give campus a pollinator-friendly makeover

It is not just cities working for pollinators. Nearly half of participating programs are run by students through Bee Campus USA. 

More often than not, campus projects find ways to solve several problems at once. At Indiana University Purdue University Indianapolis (IUPUI), a 2000-ft-long bioswale was installed by the university’s grounds department. The long, channeled depression receives rainwater runoff and has vegetation such as pollinator-friendly asters and organic matter to prevent flooding and filter out pollutants.

Several states away, Bee Campus participants at James Madison University in Harrisonburg, Virginia planted a campus food forest – installing fruit trees, root crops, herbs, ground cover, and other pollinator plants – tackling student hunger side by side with more habitat for pollinators.

Thinking globally and acting locally, Bee City USA provides a framework for communities to come together to conserve native pollinators by providing them with healthy habitat that is rich in a variety of native plants, provides nest sites, and is protected from pesticides. Affiliates also do outreach projects within their communities to promote conservation.

To find a Bee City or Bee Campus program in your area, or to start your own, visit beecityusa.org

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For more information about Bee City USA and Bee Campus USA, visit www.beecityusa.org

For more information about the Xerces Society, visit xerces.org

For information about four simple ways to help pollinators, visit xerces.org/bringbackthepollinators

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The Buzz About Bees: Why Do We Need Them? https://www.endangered.org/the-buzz-about-bees-why-do-we-need-them/ Mon, 09 Mar 2020 16:17:37 +0000 http://endangered.org/?p=21198 By Sheila Muckle at Gardener’s Path. To understand why we need the little bumblebee, we need to understand how it helps us and why it is in danger. If the bee faces extinction, then the planet risks losing a great…

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By at Gardener’s Path.

To understand why we need the little bumblebee, we need to understand how it helps us and why it is in danger. If the bee faces extinction, then the planet risks losing a great variety of foodstuffs.

We enjoy the beautiful flowers in our gardens but most of them need to be pollinated to survive. Without pollination, the plants would not be able to reproduce.

The recent decline in the number of pollinators is a sad fact in itself.

But did you know that bees actually pollinate about a sixth of the world’s crops, or around 400 of the agricultural plants we harvest?

According to the the US Fish and Wildlife Service that these insects contributed to the production of around nineteen billion dollars worth of foodstuffs in 2010 in the US alone.

This figure illuminates the true scale of this problem:

It amounts to about a third of all the food we eat.

Saying that there is a problem here is an understatement. But there are things that you can do to help. Read more…

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Unintelligent Tinkering https://www.endangered.org/unintelligent-tinkering/ Wed, 08 Mar 2017 18:08:02 +0000 http://endangered.org/?p=12187 This post is by Dr. Julie Gorte, a member of the Endangered Species Coalition Board of Directors.

The first rule of intelligent tinkering is to save all the bits. Delisting endangered species without solid analytical reasons to do so, and for that matter dismantling the protections of the Endangered Species Act, qualifies as unintelligent tinkering.

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This post is by Dr. Julie Gorte, a member of the Endangered Species Coalition Board of Directors.

Throughout most of human history, Nature was a place that was by turns helpful, scary, dangerous, and unknown.  We know a lot more about it now, but not enough, apparently, to remember that it is what sustains us, and that protecting its value is in our economic interest, not to mention just simply sensible. 

The Administration has recently suspended a rule that would make a species of bee, the rusty-patched bumblebee, an endangered species, and that would mean that we are legally obliged to protect its habitat. I’m going to create a trans-species metaphor and mention that this bee is a miner’s canary. 

Bees are pollinators. Pollinators do jobs that most humans can’t, or when they can it’s laborious to the point where our population would not be supportable if we had to replace the humble services of animals that move pollen from plant to plant, allowing them to grow and reproduce. 

Insect pollinators—not counting birds, or any other kind of animal pollinator—contribute $29 billion to U.S. farm income.  That’s just the U.S., and that’s just insects.  The Nature Conservancy (TNC) reports that one-third of the world’s agricultural output depends on animal pollinators.  Moreover, TNC says, “Native bees are twice as effective as managed honey bees at pollination.” 

Hey, but this is just one small species, and it’s already endangered.  Can’t we afford to do without this one?  That’s dangerous thinking.  We don’t know enough about the functioning of natural ecosystems to understand the exact tipping point that renders a previously healthy system a failing and frail one.  But we do know that pollinators are disappearing, or threatened, all around the world. 

What’s happening to the rusty-patched bumblebee is not an isolated instance of “oh, too bad.”  It’s a symbol of a much wider problem.  Many native bee species are “sliding toward extinction,” according to a new report from the Center for Biological Diversity.  That decline is alarming at many not-intuitively obvious levels.  Loss of pollinator services could exacerbate malnutrition and vitamin deficiency, and substantially lift the incidence of preventable diseases globally. 

[pullquote]The first rule of intelligent tinkering is to save all the bits.  Delisting endangered species without solid analytical reasons to do so, and for that matter dismantling the protections of the Endangered Species Act, qualifies as unintelligent tinkering.[/pullquote]

One of my friends once decided, in the vortex of a curiosity whirlwind, to take his family’s air conditioner apart to see how it worked.  He had every intention of putting it back together.  He was, however, 12 years old, and being a normal 12 year old didn’t pause to label and catalogue every piece that got loose.  He also lived in Phoenix.  It was also July.  It turned into the start of the worst week of his life. 

The first rule of intelligent tinkering is to save all the bits.  Delisting endangered species without solid analytical reasons to do so, and for that matter dismantling the protections of the Endangered Species Act, qualifies as unintelligent tinkering.  It’s fun, maybe, for some to caricature people as bunny-huggers for wanting to protect Furbish louseworts and snail darters, but when we think of these things as integral parts of a finely tuned machine, it changes the calculus.  These pieces have a great deal of value as parts of a working machine.  And occasionally, we find that they also have other economic value as themselves:  the compound Taxol, which has been used to treat advanced ovarian cancer, came originally from the bark of the Pacific yew, a threatened species; the drug can also be made with yew species from the Himalayas, but it too is considered endangered.

There are many other examples of specific contributions to economic value that were developed in nature’s R&D lab.  And it’s also worth mentioning that every one of them is part of an ecosystem that depends on many other organisms and natural systems—like clean water, soil, and air—to thrive.  The planet’s health and our economic well-being aren’t two separate things, and they’re certainly not antagonists.  If we think of them that way, and view environmental protection solely as a crimp on short-term pursuit of profit, we’re taking apart the air conditioner on a hot day in Phoenix. 

 

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Bees are in trouble https://www.endangered.org/bees-are-in-trouble/ Tue, 06 Aug 2013 13:30:32 +0000 http://endangered.org/?p=1025 This is a guest post by Sarina Jepsen, Endangered Species Program Director for the Xerces Society for Invertebrate Conservation and Deputy Chair of the IUCN Bumblebee Specialist Group It seems like every time I open my email or turn on…

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This is a guest post by Sarina Jepsen, Endangered Species Program Director for the Xerces Society for Invertebrate Conservation and Deputy Chair of the IUCN Bumblebee Specialist Group

It seems like every time I open my email or turn on the radio, I find the message: Save the honey bee – it’s an important pollinator and it’s in trouble. As someone who has spent a number of years working on the conservation of some of the not-so-charismatic (albeit extremely important) minifauna, I can’t help but feel a mix of emotion – while I am glad that the mainstream conservation community is recognizing the importance of bees and the perils of compounds like neonicotinoid pesticides, these efforts seem misguided.

I used to keep honey bees—and even wrangle swarms—and I have to admit that they make really charming pets. And, although there is little evidence that neonicotinoid pesticides are solely responsible for the recent losses that beekeepers have reported, the European Union has successfully used the honey bee (Apis mellifera) as a poster child to restrict the use of these extremely toxic and persistent chemicals. This is a welcome policy change that has not yet occurred in the US. That said, the honey bee was introduced from Europe into North America in the 1600s, and has since been wildly successful, in a manner similar to domesticated poultry, sheep, and cattle.  Although the honey bee industry has been facing significant challenges in recent decades, rarely do problems with other non-native farm animals garner the attention of conservationists working to protect wild places and the animals and plants that need them. Furthermore, managed and feral honey bees remain extraordinarily abundant and are not in any danger of extinction. While honey bees undoubtedly play a role in pollinating crops and wildflowers, they also compete with the thousands of species of native bees that we have in North America, and some recent research has even shown that honey bees transfer viruses and other pathogens to native bees.

Although most of our native bee fauna has not been studied well enough to know which species are endangered and which are stable, we do know that a number of formerly common bumble bees are highly imperiled – three species may already be extinct and a number of additional bumble bees are on the verge of extinction. Exotic diseases from commercial bumble bees are likely playing a role in the decline of at least some species, such as the rusty patched bumble bee (Bombus affinis), a species native to the Upper Midwest and East Coast that has disappeared from 87% of its historic range in the recent past. Habitat loss, pesticides, climate change, and reduced genetic diversity are also likely playing a role in the decline of many of our native bumble bees.

If, as conservationists, we care about preserving the critical ecosystem service of pollination, which is integral to the base of the food chain, then let’s focus on the conservation of our diverse native bee fauna that has evolved within North American ecosystems. If our goal is to protect endangered bees, then let’s lend some support to defending the many bumble bees that are highly imperiled and desperately need champions, and encourage research efforts to determine the conservation status of many of our other native bee species. If, on the other hand, our goal is to use bees as a tool to get much-needed pesticide reform, then let’s remember that there is ample evidence that neonicotinoids are also really harmful to bumble bees, and that many native bee species may be much more sensitive to the effects of these pesticides than honey bees because of their different life spans, biology, and ecology. We should be asking the EPA not only to restrict the use of neonicotinoids, but also to revise their entire pesticide approval process by creating one that actually considers native bees – in addition to honey bees.

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Paul Shannon https://www.endangered.org/paul-shannon/ Fri, 09 Nov 2012 16:20:32 +0000 http://www.wildlifevoices.org/?page_id=639 Paul Shannon is a sportsman and beekeeper from Florida “I have a problem with the farmers using pesticides in their groves, orchards, fields, etc. Many over-fertilize, then rainstorms come and wash the chemicals into our water systems. Unfortunately, here in…

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Paul Shannon is a sportsman and beekeeper from Florida

“I have a problem with the farmers using pesticides in their groves, orchards, fields, etc. Many over-fertilize, then rainstorms come and wash the chemicals into our water systems. Unfortunately, here in SW Florida, this means the pesticides roll off into our rivers, which feed into our gulfs and bays. This causes the disastrous red tide, which kills fish and other aquatic species and negatively affects our health, fishing and tourism. I am also a beekeeper. From an organic perspective, we now have seed manufacturing, which are great for farmers because they kill weeds. However, these seeds contribute in the shortage in the bee population because bees feed off the engineered crops, ingest round up, and die. Mosquito control also heavily impact the decline of the bee population. Bees account for 80% of pollination. We need more stringent regulation to address these problems.”

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Ernest Muhly https://www.endangered.org/ernest-muhly/ Fri, 09 Nov 2012 15:38:57 +0000 http://www.wildlifevoices.org/?page_id=598 Ernest is a beekeeper and biointensive heirloom gardener from Maryland and has been educating people about the hazards of pesticides, herbicides and fungicides for over twenty-five year to little avail. “Part of the problem I feel is humankind does not…

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Ernest is a beekeeper and biointensive heirloom gardener from Maryland and has been educating people about the hazards of pesticides, herbicides and fungicides for over twenty-five year to little avail.

“Part of the problem I feel is humankind does not view itself as a part of nature, and that defines our ecological consciousness.”

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